Research Article
Historical Memory , Symbolic Marketing and Racial Cultural Identification in Reggae Music
Yang Dongli*
Associate Professor, School of History and Culture, Shandong University, China
Yang Dongli, Associate Professor, School of History and Culture, Shandong University, China
Received Date: November 05, 2021; Published Date: November 16, 2021
Abstract
Reggae is unique in contemporary western popular music. This music took shape from the styles of Creole, Rastafari, Mento, R&B, Ska, Rocksteady, etc., with historical memories of Africa culture and colonial slave culture, and bred black cultural identification, as well. Reggae’s black identification developed trans-race, trans-class and trans-region mode under reggae musician’s keen innovation and black-white audience’s positive participation. Reggae marketing symbolic system constructed by black dressing, creole language, reggae element and rastafari made contribution in the process. Reggae thus presented significances of black cultural identification in consuming society, such as anti-racial and anti-class pressure, national identification, cultural integration, etc.. Reggae case could provide inspiration for building for national cultural identification with modernity spirit in the age of globalization, while, its negative effect should not be neglected.
Keywords:Cultural memory, Symbolic marketing, Consuming society, Racial identification, Reggae
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Yang Dongli. Historical Memory ; Symbolic Marketing and Racial Cultural Identification in Reggae Music. Open Access J Arch & Anthropol. 3(2): 2021. OAJAA.MS.ID.000558.